Manifest Gallery – Season 17 Annual

Manifest Season 17 Annual

Manifest Gallery in Cincinnati, Ohio, USA is an extraordinary organisation. Not just a gallery exhibiting works from open calls and solo exhibitions, they are an arts education establishment with a broad and inclusive outlook. It encompasses a Drawing centre that explores and promotes, unusually together, drawing and photography and have a  residency program. Also, unusually, they have a prolific publication department producing a huge annual of all the year’s exhibitions, 375 pages for the last one. They also produce, every three years, on a rotating basis an annual of photography, drawing, and painting respectively. The quality of these products is superb.

MEA 17

For the exhibitions all the works are judged in a rigorous blind jury process prioritising quality reducing any curatorial bias or juror prejudice. In the latest season 17 publication there were 41 separate exhibitions of 567 works in total from 319 artists and over 11,000 submissions.

 

 

 

 

MEA 17 – Lost

I may be biased as my first engagement with Manifest was being selected for the last Photography Annual, then a year later for the opening round of the season 17 exhibitions and just this year have had two works again selected. It has presented me with an opportunity to showcase some of my work with an affirmation of their quality. I am extremely proud of this especially in the knowledge of their blind jury process.

My work is photography based, often using or abusing different materials and processes. I think that photography in the US is taken more seriously and accepted as an art form. All of the works I have had accepted by Manifest have been submitted in the UK without success.

Small Town America

20 years ago or so, probably more I hate to say, I would frequently go into a bookshop, Waterstones or such, and after reading the  synopsis, scoop up half a dozen novels of the latest fiction displayed near the entrance. In this way I discovered new writers and strangely many of them wrote works set in small town America. I don’t know what it was that attracted me to the these, maybe it was  settings, maybe it was the ordinariness, the quirky characters, their foibles, eccentricities, failings, hopes, desires, relationships, mixed with a humanity and warmth. The story lines were often off centre away from the plodding narrative of many novels and often very funny.

Now, I find myself about to stay for over month in such a town, Red Cloud, Nebraska, population around 1100. The hometown of the Pulitzer prize winning novelist Willa Cather who was brought up there around the turn of the 20th century. In her time the population was about double, a pioneering settlement of hard striving migrants trying to cultivate the unyielding land. Those novels portray not only the protagonists, but also  the community that builds up around such a settlement; railway, bank, loan company, teachers, school, lawyers, clerks, shops, churches, opera house. All the parts for an active soap. Many of Cather’s novels and stories are set in this place, with a different name, and many of the characters based on the inhabitants of her time.

I made a quick two day visit there last year. Much of the town has not changed, still with its original buildings and restored houses of her family and the families of the novels that are now part of a cultural tour. The second house her family moved into is now a splendid bed and breakfast. The roads around the farm land are still unmade and the land is of broad expanse of fields, finally tamed.

It is going to be interesting embedded into the community for that period and as an Englishman with a funny accent, I will have the opportunity, as one of life’s observers, to respectfully take in what I see and find out what real small town America is like.

Some of the writers I discovered and the books of whom remain my favourites:

Laurence Naumoff
Tom Drury
James Finney Boylan (now Jennifer) – The Planets
Geoff Ryman – Was
the earlier, shorter novels of Barbara Kingsolver