A long but successful day from dawn till midnight. A good set of prints I am happy with.

Richard Dickson Photography
A long but successful day from dawn till midnight. A good set of prints I am happy with.

With much of the hard work done and in the knowlege I have prints to display I can relax bit more.

Some local scenes:




After 3 weeks weeks of solid work from dawn till dusk in my single minded, ‘man on a mission’ mode. I am now getting some acceptable prints in the various methods I am using.
There have been a lot of issues to resolve from a band new camera leaking light like a sieve, working with different chemistry not quite giving expected results, a box of bad paper, and of course my own mistakes.
The vandyke brown prints, the most complex and laborious process involving hand coating paper, has not worked as well as envisaged with the different brand of chemistry here but have got some nice images.
The prints made from photographic paper in the camera have worked better than expected despite a delay having to replace a new box of paper and work out a new developer after the original went off. These tone nicely too.
And then I started to try some lumen prints, placing objects on photographic paper and exposing to the sun. These I always planned to do with the prairie plants really like the outcome. I love the almost 3D effect and odd colours you can get.
These all alook a bit hazy as they are a bit curly until mounted and in protective bags so reflect the light.
Saturday morning burnt the porridge. A groggy awakening but wanting to take advantage of the light so set about taking shots of several scenes outside the Depot.
This resulted in: one double exposure; one half pulled slide with a film in it; a half full box of paper not closed properly and fogged. Oh and later, completing a technique of sensitising photographic paper in camera a boost by a quick exposure through a filter; yes, I forgot to put the filter in front; another 2 sheets of 8×10 wasted.
If you’re brain is half wake so you burn the porridge DO NOT go and perform technical, detailed, and precise procedures.
The compensation is that the one shot that worked came out beautifully, now very happy with the direct positive prints. The downside is that was the box of paper that got fogged so had to order a new box. – Update – actually only one sheet was fogged all the rest OK.

I came across an Ecotourism booklet.I read that 93% of the land in Nebraska is privately owned and that means what is left of the Great Plains grasslands. All the plains in the world from Mongolia to the African savannah are areas of huge biodiversity. Most of the prairie here as disappeared ploughed and planted with soy, wheat and around locally I see corn fields everywhere. I wondered what so much corn could be used for and could only think of corn syrup, but it is also used for ethanol and I notice that the regular petrol contains 15% ethanol.

What you see from the air is mostly this.

In Catherland just south of Red Cloud is patch of original prairie that somehow never got plowed up. It is now a 612 nature reserve now known as the Willa Cather Memorial Prairie acquired by the Foundation and is being managed to restore it to its pre 1900 condition. It is full of diverse plants, insects and birds.


I have spent the week getting my processes calibrated and finalised. It is hard work of trial and error but with one process I am fairly happy it will produce what I want, although not helped by the fact that my new 8×10 camera has light leaks, so have to laboriously tape it up after making any lens or orientation change.

Test strips from the vandyke brown process. These are from negatives I develop from from the 8×10 camera. There is some difference in the chemical brand I am using here the result is not quite the same at home and had to take numerous test strips to find the right exposure for the paper, pretty happy that this will produce what I want. Ready to start my first proper prints.
First full print using Ilford Direct Positive paper. This is photographic paper placed in the camera and when developed normally produces a lovely positive print on this fibre based paper. Because it is exposed directly in the camera the image is reversed left/right.
It is a tricky medium to use. It is very low speed, requires long exposures, is naturally very hight contrast. Several techniques can be used to help tame this but it is it hard to get consistent results especially as the paper is sensitive to the UV spectrum of light you have to take tnto account the time of day when exposing. Still, pretty pleased how these are turning out, I think I have it sussed.
Ah, sometimes the mistakes can be attractive. The other process I planned to use is that of transferring the image of instant print film, just after it has started to develop, onto silkscreen paper. Part of this has to be done in the dark and it is a fiddly process. That part didn’t work well here pulling the film through rollers it got caught, but once freed I pulled it through anyway although damaged. Like this it never made it to the transfer.
Trying out framing. In this case the instant film went through the rollers OK but it slipped whilst I was positioning it on the watercolour paper in the dark. Anyway, again, quite like the result.

In my Burlington Depot accommodation I’m getting set up for my processes. I have more space than at home.

Got plenty of space for handling film in dark changing bag, loading film holders.

Developing station for film and vandyke prints. I sometimes do the dishes here too.

Just completed a set of test strips to determine the print exposure time for this type of printing.
They have had a lot of rain in these parts of the US and after the first day I was here we have had torrential downpours and hailstorms. The electricity cut off for two hours last night. I keep on thinking of tornados.
I enjoy flying, I like the minutiae of the experience. Maybe it is baked in me as I flew a lot as child. There is the element of excitement of new places, cultures, experiences, but I like the experience itself.
I have been flying regularly since my first long journey undertaken was at 6 months; one of several we did flying from Africa to Holland to visit my mother’s family, then to England and on to Jamaica where my father was from. The whole trip lasted six months and of course returning again. So boarding an aeroplane is so familiar. Nowadays, of course that familiarity is normal.
Strangely, I find flying a serene experience. Within the aircraft I love that slow, rising and falling rhythmical, acoustical beat of the engines, unfortunately not so much experienced now unless sitting at wing level by large turbofan engines. There is a peacefulness of the sounds, the vision of the vast, empty, deepening blue of the sky and softness of the clouds.
I find it breathtaking to gaze out of that little portal window to the wonders of the world below. With the speed of the aircraft it is so fascinating to be able to see the world from that viewpoint almost evolving as you traverse the sky. I choose, if I can, a window seat away from the wing to ensure I can get an uncluttered, privileged view of the unfolding world below. It is the best movie channel against all the screen options in the front of your seat. I am the one with the blind all the way up endlessly observing the changing patterns of the earth below; the dramatic, jagged mountain ranges, unpopulated, slowly flattening out to plains; then signs of roads and civilisation leading to a little cluster of houses, perhaps by a river; then more roads, larger settlements, signs of agriculture; then the density of roads and towns now increase and you see a group of buildings, perhaps a factory of some sort, an airstrip. Now there are more features; you follow the meandering river, having started as a stream in the mountains, now providing the water for human development. I imagine how the first settlements may have begun in such places and also wonder why in that particular place. [Unfortunately the trend in aircraft design is now to have automatically tinting windows which I am always battling against, made worse too by tinting them in a horrible cold blue.]
I remember once seeing a huge, hundreds of square miles huge, crater that looked as though it had been scooped out off the earth as it had a tail like section then went deeper and broader. I could imagine a meteor striking several billion years ago.
I love inspecting the sea with its choppy waves breaking with little flecks of white foam with an action like a vibrating plate of water with twinkling phyto plants. At night, the sea lit by the light of the moon takes on a dark, foreboding quality. The lights from tiny ships dotted in that huge mass look so vulnerable. From 36,000 feet above them, you feel a human connection to their plight.
The vast icescapes over Canada is another humbling experience, again as they they peter out to rivers and land you see increasing signs of civilisation. All of these experiences make you understand your own insignificance in the world, not that in our lives that is so but it useful as check on our ego from time to time.

I love the cloud formations, sometimes like fluffy cotton wool as though gently protecting the surface, sometimes like huge vertical structures suspended in the sky. And of course with the speed of the aircraft you end up chasing the sun, or running with it resulting in either this strange, prolonged sunset I once experienced flying from Finland to England, or in the other direction, a slightly disconcerting rapid sunset.
I love the darkening, darkening sky as you gaze further upwards to the edge of space, scary like the opposite view of a deep sea, crystal clear at the surface but gazing down into a an ever deepening blue of nothing.
And, on returning to England, I love the familiarity of the small, green fields bordered by hedges, and familiar features looming larger and larger as you descend finally to everything to you feel as home.
20 years ago or so, probably more I hate to say, I would frequently go into a bookshop, Waterstones or such, and after reading the synopsis, scoop up half a dozen novels of the latest fiction displayed near the entrance. In this way I discovered new writers and strangely many of them wrote works set in small town America. I don’t know what it was that attracted me to the these, maybe it was settings, maybe it was the ordinariness, the quirky characters, their foibles, eccentricities, failings, hopes, desires, relationships, mixed with a humanity and warmth. The story lines were often off centre away from the plodding narrative of many novels and often very funny.
Now, I find myself about to stay for over month in such a town, Red Cloud, Nebraska, population around 1100. The hometown of the Pulitzer prize winning novelist Willa Cather who was brought up there around the turn of the 20th century. In her time the population was about double, a pioneering settlement of hard striving migrants trying to cultivate the unyielding land. Those novels portray not only the protagonists, but also the community that builds up around such a settlement; railway, bank, loan company, teachers, school, lawyers, clerks, shops, churches, opera house. All the parts for an active soap. Many of Cather’s novels and stories are set in this place, with a different name, and many of the characters based on the inhabitants of her time.
I made a quick two day visit there last year. Much of the town has not changed, still with its original buildings and restored houses of her family and the families of the novels that are now part of a cultural tour. The second house her family moved into is now a splendid bed and breakfast. The roads around the farm land are still unmade and the land is of broad expanse of fields, finally tamed.
It is going to be interesting embedded into the community for that period and as an Englishman with a funny accent, I will have the opportunity, as one of life’s observers, to respectfully take in what I see and find out what real small town America is like.
Some of the writers I discovered and the books of whom remain my favourites:
Laurence Naumoff
Tom Drury
James Finney Boylan (now Jennifer) – The Planets
Geoff Ryman – Was
the earlier, shorter novels of Barbara Kingsolver